(In production October 1935 to July 1939) This small decorative tone cabinet is used for homes, mortuaries, and small churches, seating not over 100 persons, where a limited amount of power is required. Finish American Walnut Dimensions 30″ High, 27″ Wide, 15″ Deep Weight 113lbs Amplifier Type 1 Channel Vacuum Tube Output Power 20 Watts […]
(In production October 1935 to october 1947) A non-decorative, double strength cabinet, designed for use in banks of four or more in large installations where cabinets are concealed. Finish Black Lacquer Dimensions 28″ High, 26 1/2″ Wide, 19″ Deep Weight 155lbs Amplifier Type 1 Channel Vacuum Tube Output Power 40 Watts Drum None Horn None Speeds None […]
(In production November 1936 to December 1947) A semi-decorative, double-strength cabinet designed for use individually or in groups. The B-40 is found desirable for many churches and for large installations, for it may be used appropriately in almost any setting. Finish Walnut Stain Dimensions 36″ High, 36″ Wide, 28 1/2″ Deep Weight 225lbs Amplifier Type 1 Channel Vacuum […]
(In production June 1936 to December 1937) The C-40 cabinet has a wide variety of applications. It is especially adapted for use in enclosures where the indirect projection of sound is desireable. Very often ceiling and floor are the only “live” reflective surfaces and this type cabinet makes use of these. The C-40 cabinet is […]
CX-20: (In production January 1939 to March 1942) Equipped with rotor tremulant. This tremulant is not like a Leslie rotor. Finish Matched American Butt Walnut and antique brass hardware. Dimensions 53″ High, 29″ Wide, 18 1/4″ Deep Weight 153lbs Amplifier Type 1 Channel Vacuum Tube Output Power 20 Watts Drum See Text Horn None Speeds […]
CXR-20: (In production November 1939 to March 1942) Equipped with rotor tremulant and reverberation unit. Finish Matched American Butt Walnut and antique brass hardware. Dimensions 53″ High, 29″ Wide, 18 1/4″ Deep Weight 153lbs Amplifier Type 1 Channel Vacuum Tube Output Power 20 Watts Drum See Text Horn None Speeds See Text Interface 6 Pin […]
(In production October 1937 to March 1952) Tonally Identical with the model C-20, the D-20 fills a need for an inexpensive cabinet for use in a wide variety of installations where decorative qualities are a secondary consideration. Finish Face and sides of American Walnut Dimensions 56″ High, 28″ Wide, 16 3/4″ Deep Weight 149lbs […]
(In production August 1939 to March 1952) Equipped with reverberation unit. See Model D-20 for more information. Finish Face and sides of American Walnut. Dimensions 56″ High, 28″ Wide, 16 3/4″ Deep Weight 171lbs Amplifier Type 1 Channel Vacuum Tube Output Power 20 Watts Drum None Horn None Speeds None Interface 6 Pin Balanced
(In production October 1938 to June 1942) A D-20 equipped with a rotor tremulant. NOTE: This rotor tremulant is not like that found in a Leslie. See Model D-20 for more information. Finish Face and sides of American Walnut Dimensions 56″ High, 28″ Wide, 16 3/4″ Deep Weight 156lbs Amplifier Type 1 Channel Vacuum Tube […]
(In production April 1939 to June 1945) Equipped with rotor tremulant and reverberation unit. See Model D-20 and Model DX-20 for more information. Finish Face and sides of American Walnut Dimensions 56″ High, 28″ Wide, 16 3/4″ Deep Weight 178lbs Amplifier Type 1 Channel Vacuum Tube Output Power 20 Watts Drum See Text Horn None […]
(In production March 1947 To December 1950) The ER-20 tone cabinet is electrically equivalent to the DR-20 tone cabinet. However, the woodwork is designed for use in homes where a more artistic cabinet is preferred. Finish Walnut Dimensions 38 3/4″ High, 31″ Wide, 18″ Deep Weight 144lbs Amplifier Type 1 Channel Vacuum Tube Output Power […]
(In production January 1948 to December 1957) The F-40 replaces the B-40 tone cabinet. Dimensions of the woodwork have been altered so that a reverberation may be accommodated. With the addition of the reverberation unit it is designated as FR-40. Finish Walnut stain Dimensions 39-3/16″ High, 32-15/16″ Wide, 28-3/8″ Deep Weight 208lbs Amplifier Type 1 […]
(In production January 1948 to December 1957) The F-40 replaces the B-40 tone cabinet. Dimensions of the woodwork have been altered so that a reverberation may be accommodated. With the addition of the reverberation unit it is designated as FR-40. Finish Walnut stain Dimensions 39-3/16″ High, 32-15/16″ Wide, 28-3/8″ Deep Weight 228lbs Amplifier Type 1 Channel Vacuum […]
(In production October 1948 to February 1960) The H series tone cabinet are designed for use in all types of installations: church, home, school, and entertainment places. Their response is non-directional, with high frequencies projected vertically and the low frequencies horizontal. The tone cabinet contains separate amplifier sections for treble and bass response with cross-over point at 200 […]
(In production October 1948 to February 1960) The H series tone cabinet are designed for use in all types of installations: church, home, school, and entertainment places. Their response is non-directional, with high frequencies projected vertically and the low frequencies horizontal. The tone cabinet contains separate amplifier sections for treble and bass response with cross-over point at 200 […]
(In production March 1951 to February 1959) The JR-20 tone cabinet is ideal for homes, small church, mortuary, and entertainment places. ITs responce is non-directional with the highs projected vertically and the lows horizontally. The amplifier is constructed with separate sections for bass and treble response with a crossover point at 200 cycles. A reverberation preamplifier is also […]
(In production December 1957 to February 1960) The K series tone cabinet are designed for use in all types of installations: church, home, school, and entertainment places. Their response is non-directional, with high frequencies projected vertically and the low frequencies horizontal, although provisions exist for installing the treble speakers to project horizontally where vertical projection might be obstructed. […]
(In production December 1957 to February 1960) The K series tone cabinet are designed for use in all types of installations: church, home, school, and entertainment places where they will be used in a concealed installation. Their response is non-directional, with high frequencies projected vertically and the low frequencies horizontal, although provisions exist for installing the treble speakers […]
(In production June 1959 to April 1963) Equipped with a two channel amplifier, two 15″ speakers and two 12″ speakers serving the bass and treble channels respectively. This tone cabinet in conjunction with a Hammond tone cabinet with reverberation can add the additional power required for larger installations at a minimum cost. Can also be […]
(In production February 1959 to July 1963) Equipped with two 15″ speakers for bass tones and two 12″ speakers for the treble tones. They provide three dimension amplification which creates a beautiful reverberation effect in stereo. These cabinets feature the new and improved Hammond reverberation control for both bass and treble tones. Convenient outside controls […]
(In production February 1959 to ???) Equipped with two 15″ speakers for bass tones and two 12″ speakers for the treble tones. They provide three dimension amplification which creates a beautiful reverberation effect in stereo. These cabinets feature the new and improved Hammond reverberation control for both bass and treble tones. Convenient outside controls make it easy […]
(In production June 1959 to April 1963) Equipped with a two channel amplifier, two 15″ speakers and two 12″ speakers serving the bass and treble channels respectively. This tone cabinet in conjunction with a Hammond tone cabinet with reverberation can add the additional power required for larger installations at a minimum cost. Can also be […]
(In production February 1959 to ???) Equipped with two 15″ speakers for bass tones and two 12″ speakers for the treble tones. They provide three dimension amplification which creates a beautiful reverberation effect in stereo. These cabinets feature the new and improved Hammond reverberation control for both bass and treble tones. Convenient outside controls make it easy […]
The model 122 cabinet is shown at left. The 21H cabinet is very similar in appearance to a 122 or 147, the largest difference is that the upper horn speaks through only one level of louvers. This model was made specifically for the balanced output of a Hammond “G-G” Console (IE Model B or C). […]
The model 122 cabinet is shown at left. The 22H cabinet is very similar in appearance to a 122 or 147, the largest difference is that the upper horn speaks through only one level of louvers, not two as shown here. This model was made specifically for the balanced output of a Hammond “G-G” Console […]
See model 22H for specifications. The 22R is exactly the same as a 22H except it was built with the necessary cabinetry to accept a Hammond ETK reverb kit. Amplifier Type 1 Channel Vacuum Tube Output Power 35 Watts Drum 1 – 15″ Speaker Horn 1 – Compression Driver Speeds 1 Speed (Stop/Tremolo) Interface 6 […]
This is the original Leslie, a single speed cabinet with no provision for remote control. This photo comes from an old organ / Leslie computability guide. The model 30A was made specifically for the balanced output of a Hammond “G-G” Console (IE Model B or C). Unlike later models, the horn in this cabinet was […]
This is the “Church Version” of the original Leslie Model 30A, a single speed cabinet with no provision for remote control. It is supposed to have had a different rotational speed. “The church models definitely ran at a different speed. The idea here was that the standard Leslie tremolo was deeper than that of a […]
The model 31H was made specifically for the balanced output of a Hammond “G-G” Console (IE Model B or C). I believe that this is no different then the model 31A save for some improvements in the amplifier design. It is at this point (1950) that Leslie adopted a suffix letter to designate the manufacturer […]
The model 31A was made specifically for the balanced output of a Hammond “G-G” Console (IE Model B or C). It is interesting to note that unlike later cabinets, this cabinet featured an ELECTRO-dynamic speaker. What this meant is that the 15″ woofer did not have a permanent magnet, like speakers have today, but rather […]
This is perhaps the best known of the Leslie models, introduced in 1964 it replaced the single speed 22H and became *the* cabinet for use with the Hammond B3 organ. While the amplifier is essentially the same as the earlier 22H, the 122 replaced the 22H and introduced 2 speed operation (Tremolo and Chorale). This […]
See model 122 page for specifications. The 122N is exactly the same as a 122 electronically. These cabinets were made at the “Hammond” factory in Anvers, Belgium following Hammond’s acquisition of Leslie. I gather the design change was to make this cabinet more appealing to European customers. Amplifier Type 1 Channel Vacuum Tube Output Power […]
See model 122 page for specifications. The 122R is exactly the same as a 122 except it was built with the necessary cabinetry to accept a Hammond ETK reverb kit. Amplifier Type 1 Channel Vacuum Tube Output Power Drum 1 – 15″ Speaker Horn 1 – Compression Driver Speeds 2 Speed (Chorale/Tremolo) Interface 6 Pin […]
See model 122 page for specifications. The 122RV is exactly the same as a 122 except it was built with a Leslie reverb system installed. The reverb amp in located in the upper compartment, and the delay line or “tank” is on the inside of the middle compartment back. Amplifier Type 1 Channel Vacuum Tube […]
See model 122 page for specifications. The 122V is exactly the same as a 122 except it was built with the necessary cabinetry to accept a Leslie reverb system at a later date. Amplifier Type 1 Channel Vacuum Tube Output Power 40 Watts Drum 1 – 15″ Speaker Horn 1 – Compression Driver Speeds 2 […]
This model uses a 122 amplifier and is essentially a short 122. Because of it’s cabinet dimensions it has slightly less bass punch then a full sized cabinet like the 22H or 122. This model was made specifically for the balanced output of a Hammond “G-G” Console (IE Model B3 or C3). Amplifier Type 1 […]
See model 142 page for specifications. The 142N is exactly the same as a 142 electronically. These cabinets were made at the “Hammond” factory in Anvers, Belgium following Hammond’s acquisition of Leslie. I gather the design change was to make this cabinet more appealing to European customers. Amplifier Type 1 Channel Vacuum Tube Output Power […]
See model 122 page for specifications. The model 222 is the same as a 122, it is simply repackaged in the “Decorator Style” cabinet you see here. Amplifier Type 1 Channel Vacuum Tube Output Power 40 Watts Drum 1 – 15″ Speaker Horn 1 – Compression Driver Speeds 2 Speed (Chorale/Tremolo) Interface 6 Pin Balanced
See model 122 page for specifications. The model 222RV is the same as a 122RV, it is simply repackaged in the “Decorator Style” cabinet you see here. See also the 122RV page. Amplifier Type 1 Channel Vacuum Tube Output Power 40 Watts Drum 1 – 15″ Speaker Horn 1 – Compression Driver Speeds 2 Speed […]
The model 242 is the same as a model 142, it is simply repackaged in the “Decorator Style” cabinet you see here. Amplifier Type 1 Channel Vacuum Tube Output Power 40 Watts Drum 1 – 15″ Speaker Horn 1 – Compression Driver Speeds 2 Speed (Chorale/Tremolo) Interface 6 Pin Balanced
Next step up following the exhaustion of their supply of 25 and 125 cabinet, the MkII was a replica of the slightly larger 142/145 size cabinet. Covered in a polymeric coating of the same material used for pickup truck bed liners it has a thick hide that is nearly impervious. Amplifier Type 1 Channel Vacuum Tube […]